The Night Watch - Wikipedia. This article is about the Rembrandt painting. For other uses, see Night Watch. Militia Company of District II under the Command of Captain Frans Banninck Cocq. It is in the collection of the Amsterdam Museum but is prominently displayed in the Rijksmuseum as the best known painting in its collection. The Night Watch is one of the most famous Dutch Golden Age paintings. The painting is famous for three things: its colossal size (3.

The painting was completed in 1. Dutch Golden Age. It depicts the eponymous company moving out, led by Captain Frans Banning Cocq (dressed in black, with a red sash) and his lieutenant, Willem van Ruytenburch (dressed in yellow, with a white sash). With effective use of sunlight and shade, Rembrandt leads the eye to the three most important characters among the crowd: the two gentlemen in the centre (from whom the painting gets its original title), and the woman in the centre- left background carrying a chicken.

Behind them, the company's colours are carried by the ensign, Jan Visscher Cornelissen. The figures are almost life- size. Rembrandt has displayed the traditional emblem of the arquebusiers in a natural way, with the woman in the background carrying the main symbols. She is a kind of mascot herself; the claws of a dead chicken on her belt represent the clauweniers (arquebusiers), the pistol behind the chicken represents clover and she is holding the militia's goblet. The man in front of her is wearing a helmet with an oak leaf, a traditional motif of the arquebusiers. The dead chicken is also meant to represent a defeated adversary. The colour yellow is often associated with victory.

The Night Watch first hung in the Groote Zaal (Great Hall) or Amsterdam's Kloveniersdoelen. This structure currently houses the Doelen Hotel. In 1715, the painting.

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Alterations to original. This varnish was removed only in the 1. In 1. 71. 5, upon its removal from the Kloveniersdoelen to the Amsterdam Town Hall, the painting was trimmed on all four sides. This was done, presumably, to fit the painting between two columns and was a common practice before the 1.

This alteration resulted in the loss of two characters on the left side of the painting, the top of the arch, the balustrade, and the edge of the step. This balustrade and step were key visual tools used by Rembrandt to give the painting a forward motion. A 1. 7th- century copy of the painting by Gerrit Lundens at the National Gallery, London shows the original composition.

Rembrandt was paid 1,6. This was one of a series of seven similar paintings of the militiamen (Dutch: 'Schuttersstuk') commissioned during that time from various artists. The painting was commissioned to hang in the banquet hall of the newly built Kloveniersdoelen (Musketeers' Meeting Hall) in Amsterdam. Some have suggested that the occasion for Rembrandt's commission and the series of other commissions given to other artists was the visit of the French queen, Marie de Medici, in 1.

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Even though she was escaping from her exile from France ordered by her son Louis XIII, the queen's arrival was met with great pageantry. Location. This structure currently houses the Doelen Hotel. In 1. 71. 5, the painting was moved to the Amsterdam Town Hall, for which it was altered. When Napoleon occupied the Netherlands, the Town Hall became the Palace on the Dam and the magistrates moved the painting to the Trippenhuis of the family Trip. Napoleon ordered it returned, but after the occupation ended in 1. Trippenhuis, which now housed the Dutch Academy of Sciences.

It remained there until it moved to the new Rijksmuseum when its building was finished in 1. The canvas would be stored in this condition throughout World War II. The painting was removed from the museum in September 1. World War II. The canvas was detached from its frame and rolled around a cylinder.

The rolled painting was stored in Radboud Castle in Medemblik, north of Amsterdam. The painting was detached from its frame, wrapped in stain- free paper, put into a wooden frame which was put into two sleeves, driven on a cart to its new destination, hoisted, and brought into its new home through a special slit.

While the refurbishment took place, The Night Watch could be viewed in its temporary location in the Philipsvleugel of the Rijksmuseum. When the refurbishment was finished in April 2. Nachtwachtzaal (Room of the Night Watch). Popular reception. The myth has even made its way into modern advertising; in 1.

KLM featured the painting in an advertisement that said, . During the 1. 64. Flemish portraitist Anthony van Dyck. Acts of vandalism.

It was successfully restored after four years, but some evidence of the damage is still visible up close. The man was never charged and committed suicide in a mental institution in April 1.

On 6 April 1. 99. Security guards intervened and water was quickly sprayed onto the canvas. The acid had only penetrated the varnish layer of the painting and it was fully restored.

He writes that . Everyone with eyes has at some time or other witnessed this play of shadows, or something like it, and has been made by it to see a space and the things included therein. The song adopts a number of perspectives, including the primary subjects, the artist himself, and a modern viewer of the painting, and paints a mini- portrait of the emergence of the modern upper- middle class and the consumerist culture. However, the song presents this portrait with a deft touch, and while not fully approving, is sympathetic in tone. In Jean- Luc Godard's 1. Passion, The Night Watch is reenacted with live actors in an opening shot. Godard explicitly compares his film to Rembrandt's painting, describing them both as . He instructs the viewer not to focus on the overall composition, but to approach his film as one would a Rembrandt and .

The cover illustrator, Paul Kidby, pays tribute to his predecessor Josh Kirby. A copy of the original painting appears on the back cover of the book.

The Night Watch is the subject of a 2. Peter Greenaway called Nightwatching, in which the film posits a conspiracy within the musketeer regiment of Frans Banning Cocq and Willem van Ruytenburch, and suggests that Rembrandt may have immortalized a conspiracy theory using subtle allegory in his group portrait of the regiment, subverting what was to have been a highly prestigious commission for both painter and subject. His 2. 00. 8 film Rembrandt's J'Accuse is a sequel or follow- on, and covers the same idea, using extremely detailed analysis of the compositional elements in the painting; in this Greenaway describes The Night Watch as (currently) the fourth most famous painting in the Western world, after the Mona Lisa, the Last Supper and the ceiling of the Sistine Chapel. Download The Square (2017) Full-Lenght. In 2. 00. 6 The Night Watch has inspired the literary work A Ronda da Noite by the famous Portuguese writer Agustina Bessa Lu. With new technology, it is the first time LED lighting has been able to render the fine nuances of the painting's complex color palette. The new illumination uses LED lights with a color temperature of 3,2. It has a color rendering index of over 9.

The Night Watch. Using the new LED lighting, the museum saves 8. UV radiation and heat. Other representations. After displays in other locations, the sculptures returned in 2. Louis Royer's 1. 85.