In this sci-fi/horror scarefest, Dr. William Weir (Sam Neill) is a scientist who has designed a spacecraft called Event Horizon which will explore the outer reaches. Their familial relationship may freak you out, but that’s sort of the point. GRRM wants to show a medieval, feudal-type era with all the awfulness most fantasies. Starting with the fourth season, the show was picked up by the Sci Fi Channel. Within the fourth-season premiere episode, Quinn and Maggie, after searching numerous.

In Image's Redlands, Witches Are Feared Not Just for Their Magic, But Because They're Women. Witches have come in all shapes, sizes, and powers over the centuries, but there’s one thing they usually have in common: They’re women. Image’s powerful series Redlands highlights the link between womanhood and witchcraft, showing the misogyny behind the mythology. It is impossible to talk about witchcraft without unpacking how fears about witches have been used as shorthand for real sexism. Buy Ice Age 5 (2016) Movie Online.

These parallels go back hundreds of years, targeting midwives, widows, and other women who existed outside of accepted norms of their time periods. It’s an issue that’s been explored in countless stories about witches, from Arthur Miller’s critically acclaimed play The Crucible to the 1.

The Craft. Robert Egger’s 2. The Witch, for example, is both literally a film about a family being terrorized by an actual witch and about how, when faced with labeled as being “different” by conventional standards, there was a point in time when women were summarily accused of witchcraft. In a disturbing, beautiful way, co- creators Jordie Bellaire and Vanesa Del Rey’s Redlands out today from Image revels in the idea that magic is born from unholy contracts between the devil and clever women. But it’s noticeably careful about making sure you understand that the terror and fear on the page is entirely subjective, and coming from the non- witches’ perspective. A tree engulfed in flames with three nooses swinging from its branches in the roaring fire stands at the center of Redlands’ first panel.

Somewhere off in the distance, an unseen man huddled in a police station curses to himself (and everyone around him) that the lynching and burning at the stake they’d attempted has failed. The witches have escaped, the humans are fucked, and everyone knows it. There’s little in the way of explanation as to exactly what happened in the scenes leading up to the book’s opening, but there’s enough to convey strong emotions in the absence of specific details. A group of local men—the town’s police force—are holed up in the police department as the witches move through the shadowy forest, daring them to step out into the light of the fire. In another story, you might feel sympathy for the men and be able to see them as the unlucky victims of Redlands’ demons, were it not for the handful of simple but heavy bits of character detail that co- creators Bellaire and Del Rey carefully place into each panel. Both we and these men know that they’re dealing with the supernatural, but to them, their adversaries are “bitches” before they’re witches, establishing one of the key elements of Redlands’ world- building. You get the distinct sense that the people of Redlands, Florida, fear the trio of witches for their magic, but they hate them because they’re women—exercising a sort of power that the men of the town are not prepared to handle.

As the policemen cower in their Confederate flag- lined station, the witches tease and play them from the outside, casting illusions to trick the men into repeatedly opening the door and even leaving, only to be promptly eviscerated by the literal demons waiting for them. While Redlands may initially lull you into seeing the witches as the book’s ultimate threat, Bellaire and Del Ray have the policemen turn inward on themselves. Their reflections deftly gesture to the fact that evil lived in the town long before the witches showed up. In the darkness of their building where they assume they’re safe, the policemen butt up against the prisoners lucky enough to be locked up that night and, in their interactions, you see that the lawmen aren’t exactly friendly with the locals. Racially- charged tension crackles between an imprisoned black man and the white officer on the other side of the bars.

The officer goads the prisoner with a flippant remark about being named after his absentee father. The prison responds by reminding the officer that his father’s only missing because the officer’s father killed him. Whatever horrors the witches may have brought to their town, the comic makes it clear it’s bound to be no worse than Redlands’ status quo. Women like the witches, one of the police men spits, are begging for it. And in a way he’s right, the witches are eagerly awaiting for him and all of his friends to just come outside and talk things over—to clear up any and all misunderstandings between their respective parties. But when the town sheriff does ultimately come forward to confront the witches and drive them away with his shotgun, there’s a subtle shift in Redlands’ tone that sets the stage for what the rest of the series holds. The witches haven’t just descended upon Redlands for their own amusement, or even to scare its citizens.

Redlands was sick and bloated with evil and rot before the witches set foot in the town. Del Rey’s kinetic illustrations and the shadowy, bloody shades of red Bellaire fills the page with are meant to make you feel the fear surging through the non- witches. But beneath that fear is a deeper understanding that sometimes, this is what change for the better looks and feels like when you’re a part of the problem. Seen from another perspective using a little imagination, the witches’ impending massacre of the police isn’t something to fear—it’s an attempt at healing the town. Almost every story about the persecution of women suspected of witchcraft is also a story about a society unable or unwilling to accept women as competent, powerful people. Darker, more psychological witch tales sometimes tease us as to whether the suspected witchcraft is actually real. Redlands manages to be both kinds of stories while leaving you with the distinct feeling that it’s less of a gritty children’s story retooled for adults and more of a cautionary tale about what happens when you run afoul of the wrong women.

Star Trek (film) - Wikipedia. Star Trek is a 2. American science fictionadventure film directed by J.

Abrams and written by Roberto Orci and Alex Kurtzman. It is the eleventh film in the Star Trek film franchise, and is also a reboot that features the main characters of the original Star Trek television series portrayed by a new cast, as the first in the rebooted film series. The film follows James T. Kirk (Chris Pine) and Spock (Zachary Quinto) aboard USS Enterprise as they combat Nero (Eric Bana), a Romulan from their future who threatens the United Federation of Planets.

The story takes place in an alternate reality. The alternate timeline was created in an attempt to free the film and the franchise from established continuity constraints while simultaneously preserving original story elements. The idea for a prequel film which would follow the Star Trek characters during their time in Starfleet Academy was discussed by series creator Gene Roddenberry in 1. The concept resurfaced in the late 1. Harve Bennett as a possible plotline for what would become Star Trek VI: The Undiscovered Country, but was rejected in lieu of other projects by Roddenberry. Following the critical and commercial failure of Star Trek: Nemesis and the cancellation of the television series Star Trek: Enterprise, the franchise's executive producer Rick Berman and screenwriter Erik Jendresen wrote an unproduced film titled Star Trek: The Beginning, which would take place after Enterprise.

After the separation of Viacom and CBS Corporation in 2. Paramount Pictures president Gail Berman convinced CBS to allow Paramount to produce a new film in the franchise.

Orci and Kurtzman, both fans of Star Trek, were approached to write the film, and J. Abrams was approached to direct it. Kurtzman and Orci used inspiration from novels and graduate school dissertations, as well as the series itself. Principal photography commenced on November 7, 2. March 2. 7, 2. 00.

The film was shot in various locations around California and Utah. Abrams wanted to avoid using bluescreen and greenscreen, opting to use sets and locations instead. Heavy secrecy surrounded the film's production and was under the fake working title Corporate Headquarters.

Industrial Light & Magic used digital ships for the film, as opposed to the previous films in the franchise. Production for the film concluded by the end of 2. Star Trek was heavily promoted in the months preceding its release; pre- release screenings for the film premiered in select cities around the world, including Austin, Texas, Sydney, Australia, and Calgary, Alberta.

It was released in the United States and Canada on May 8, 2. Michael Giacchino. Star Trek was a box office success, grossing over $3. It was nominated for several awards, including four Academy Awards at the 8. Academy Awards, ultimately winning Best Makeup, making it the first Star Trek film to win an Academy Award. It was followed by two sequels, Star Trek Into Darkness (2. Star Trek Beyond (2.

In the 2. 3rd century, the Federationstarship USS Kelvin is investigating a . A Romulan ship, Narada, emerges from the storm and attacks Kelvin. Narada's first officer, Ayel, demands that Kelvin's Captain Robau come aboard to negotiate a truce. Robau is questioned about the current stardate and an . Narada's commander, Nero, kills him, and resumes attacking Kelvin.

George Kirk, Kelvin's first officer, orders the ship's personnel, including his pregnant wife Winona, to abandon ship while he pilots Kelvin on a collision course with Narada. Kirk sacrifices his life to ensure Winona's survival as she gives birth to James T.

Kirk. Seventeen years later on the planet Vulcan, a young Spock is accepted to join the Vulcan Science Academy. Realizing that the Academy views his human mother Amanda as a . On Earth, Kirk becomes a reckless but intelligent young adult. Following a bar fight with Starfleet cadets accompanying Nyota Uhura, Kirk meets Captain Christopher Pike, who encourages him to enlist in Starfleet Academy, where Kirk meets and befriends doctor Leonard Mc. Coy. Three years later, Commander Spock accuses Kirk of cheating during the Kobayashi Maru simulation. Kirk argues that cheating was acceptable because the simulation was designed to be unbeatable. The disciplinary hearing is interrupted by a distress signal from Vulcan.

With the primary fleet out of range, the cadets are mobilized. Mc. Coy and Kirk board Pike's ship, the Enterprise.

Realizing that the . Narada attacks Enterprise and Pike surrenders, delegating command of the ship to Spock and promoting Kirk to first officer. Kirk, Hikaru Sulu and Chief Engineer Olson perform a space jump. Olson is killed but Kirk and Sulu disable the drill.

Despite their efforts, Nero launches . Watch Donald Cried (2017) Movie Stream here. Spock rescues the high council and his father Sarek, but his mother Amanda dies. As Narada moves toward Earth, Nero tortures Pike to gain access to Earth's defense codes. Spock maroons Kirk on Delta Vega after Kirk attempts mutiny. Kirk encounters an older Spock, who explains that he and Nero are from 1. In that future, Romulus was threatened by a supernova. Spock's attempt to use .

Narada and Spock's vessel were caught in the black hole, sending them back in time. Nero stranded Spock on Delta Vega to watch Vulcan's destruction. Reaching a Starfleet outpost on Delta Vega, Kirk and the elder Spock meet Montgomery Scott. With the elder Spock's help, Kirk and Scott beam onto Enterprise. Following the elder Spock's advice, Kirk provokes younger Spock into attacking him, forcing Spock to recognize himself as emotionally compromised and relinquish command to Kirk.

After talking with Sarek, Spock decides to help Kirk. While Enterprise hides itself within the gas clouds of Titan, Kirk and Spock beam aboard Narada. Kirk fights with Nero and Ayel, killing the latter and rescuing Pike, while Spock uses the elder Spock's ship to destroy the drill. Spock leads Narada away from Earth and sets his ship to collide with Nero's ship. Enterprise beams Kirk, Pike, and Spock aboard. The older Spock's ship and Narada collide, igniting the .

Kirk offers Nero help to escape, but Nero refuses, prompting Kirk to give the order to fire, dooming Narada to be consumed in a black hole. Kirk is promoted to Captain and given command of Enterprise while Pike is promoted to Rear Admiral. Spock encounters his older self, who persuades his younger self to continue serving in Starfleet, encouraging him to do, for once, what feels right instead of what is logical. Spock remains in Starfleet, becoming first officer under Kirk's command. Enterprise goes to warp as the elder Spock speaks the .

Quinto was supportive of Pine's casting because they knew each other from working out at the same gym. Pine watched classic episodes and read encyclopedias about the Star Trek universe, but stopped as he felt weighed down by the feeling he had to copy Shatner. Pine felt he had to show Kirk's . Quinto expressed interest in the role because of the duality of Spock's half- human, half- Vulcan heritage. I think those are all things that we as a society, and certainly the world, could implement. I felt like I was 1.

You look back at those pictures and you see the bowl cut. There's no question I was born to play the Spock role. I was sporting that look for a good four or five years. The film officially establishes (to Kirk's surprise) that Uhura and Spock are lovers and have been romantically linked for some time, a point which had never been previously explored on TV or in film. Bana shot his scenes toward the end of filming. He was a longtime friend of Abrams' parents. Although Quinto watched some episodes of the show during breaks in filming, Nimoy was his main resource in playing Spock.

He was silent, and Nimoy's wife Susan Bay told the creative team he had remained in his chair after their conversation, emotionally overwhelmed by his decision after turning down many opportunities to revisit the role.? This guy has been doing it for forty years. It's like 'I think Spock would..'.