2010 Blockbuster Movies Star Wars 7 (2015) Bangla

2010 Blockbuster Movies Star Wars 7 (2015) 720p

But, here's my question: how do you distinguish yourself in a population of people who all got 1. SATs? I wasn't talking about China anymore, I was talking about me.

Worst Blockbuster Movies . Other films clearing that $1. M bar — classics like The Graduate, The Godfather, Jaws, and Star Wars — began popping up during the late 1.

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Yet even with growing inflation and the increasingly popular distribution model that encouraged the wide release of movies in thousands of theaters nationwide, $1. Of course, that has long since changed. Today, 6. 72 movies have domestically earned over $1. Yet scattered among all these beloved blockbusters are a number of outright turkeys; many of them sequels, star vehicles, or movies propelled by incessant hype. Here, then, are the 1. Worst Movies To Gross Over $1. Million. 1. 5. WILD WILD WESTWill Smith’s nickname of “Mr.

Star Wars sucks. There, we said it. Now, criticizing it mildly draws vitriol. How did a flawed sci-fi flick become an unassailable.

Chart of all time worldwide box office grosses, combining domestic and foreign grosses. Star Wars franchise box office earnings. Star Wars: The Clone Wars was a digitally animated TV series that took place inbetween Episode II and Episode III.

July,” earned after 1. Independence Day and 1. Men in Black both opened over July 4th weekends and went on to clean up at the box office, suffered a ding when Wild Wild West premiered during the same month in 1. While the movie eventually broke the $1. Based on the popular TV series from 1.

Wild Wild West pits government agents James West (Smith) and Artemus Gordon (Kevin Kline) against the diabolical Arliss Loveless (Kenneth Branagh), a madman hellbent on taking over the United States. His plan involves the creation of an 8. President Ulysses S. Grant (also Kline). Somehow, it required the combined brain power of no less than six writers to come up with a script crammed with daft scenarios and cringe- inducing exchanges. Kline, generally a terrific comedian, is never really allowed to cut loose, meaning his Artemus Gordon turns out to be something of a bore. As for Smith, his performance is assured if not entirely convincing — if anything, his flashy Western wear suggests that he’s ready to bring back The Village People.

Still, the actor had no problem reclaiming the “Mr. July” moniker, thanks to subsequent summertime hits like Men in Black II and Hancock. THE LAST AIRBENDERWhile the animated Nickelodeon series Avatar: The Last Airbender has been enjoyed by audiences of all ages, that wasn’t the case with writer- director M. Night Shyamalan’s ill- fated live- action adaptation. On the contrary, 2. The Last Airbender failed to capture the imagination of anyone over the age of 1. Some decent effects work is the only ingredient providing any pulse to an otherwise poorly executed story of how one young lad, Aang (Noah Ringer), turns out to be the only person in his world with the ability to control all four elements.

The negative reaction to the decidedly white- washed The Last Airbender was so pronounced that plans for Shyamalan to helm a pair of sequels were eventually shelved. That’s a blessing, since this initial effort is a clunky, soporific undertaking punctuated by some truly deficient dialogue. Then again, maybe it’s a good thing pearls of prose weren’t wasted on this lackluster cast. No one makes an impression — even Dev Patel, charismatic as the Slumdog Millionaire and Oscar- nominated for Lion, comes across as a colorless novice in his role as Prince Zuko. Like everyone else in this dud about people controlling the elements, he’s clearly out of his. LITTLE FOCKERSRumor has it that Dustin Hoffman deemed the script for 2.

Little Fockers so wretched that he initially refused to have anything to do with the movie. Cut to the final product, with the actor having agreed to a revised screenplay that has him uttering lines like “You kids want to pick your nose and flick the boogers? But only the dry ones.” Needless to say, that’s a long way from the likes of “Mrs. Robinson, you’re trying to seduce me ! I’m walking here!”Then again, Little Fockers is pretty much the basement for most of the accomplished actors squirming up there on the screen.

Even those charitable folks who didn’t think Meet the Parents. A handful of modest chuckles quickly get buried by painful sequences like Greg Focker (Ben Stiller) sticking a needle into father- in- law Jack Byrnes’ (Robert De Niro) erect penis or Greg’s young son projectile- vomiting onto his dad. Owen Wilson proves to be an unlikely saving grace in his brief appearance, but enough is enough. This franchise ran its course and made its millions, but it was clearly time for it to fock off. WILD HOGSDavid Fincher’s provocative 2. Zodiac earned rave reviews yet opened with only $1.

That same weekend in March, the moronic comedy Wild Hogs debuted with $3. Those are the sad facts; do with them what you will.

Four Cincinnati bunglers (John Travolta, Tim Allen, Martin Lawrence, and William H. Macy), each suffering though some pathetic form of mid- life crisis, decide to embark on a road trip to the West Coast. They mount their motorcycles with the intent of rediscovering life’s little pleasures, but it’s not long before these queasy riders have to cope with menacing bikers, “bomb”- dropping birds, and a gay caricature of a highway patrolman (John C. Mc. Ginley). Scatological humor receives a robust workout in Wild Hogs, and the “gay panic” humor runs so rampant that it feels like the script was co- written by 5. THE MUMMY: TOMB OF THE DRAGON EMPERORWith a new mummy movie heading to theaters this summer, it might be tempting to revisit the financially lucrative trilogy starring Brendan Fraser. Resist the urge. The 1.

The Mummy was a light and frothy Indiana Jones rip- off and 2. The Mummy Returns was even less memorable. The worst, however, was 2. The Mummy: Tomb of the Dragon Emperor, in which retired adventurer Rick O’Connell (Fraser) and his wife Evelyn (Maria Bello, replacing Rachel Weisz) mope around their English estate while grown son Alex (Luke Ford) is off digging up the remains of an evil emperor (Jet Li). Plot contrivances reunite all of them — plus Evelyn’s brother Jonathan (returning “comic relief” stooge John Hannah) — in Shanghai, and from there, the gang is forced to fight the now- revived emperor. The sloppiness of the entire enterprise is immediately evident by the fact that the 2.

Ford looks nowhere near young enough to be playing the son of 3. Fraser and 4. 1- year- old Bello. The absurdities match the tedium – somehow, this picture manages to make even an epic battle between armies of the undead feel deadly boring. The Mummy: Tomb of the Dragon Emperor barely cleared the $1. CHEAPER BY THE DOZENThe 2. Cheaper by the Dozen is a remake of the 1.

Sure, it’s a gut- buster for the under- 1. As the dad forced to babysit a houseful of kids while Mom (Bonnie Hunt) tries to make it as an author, Steve Martin is sadly trapped in the sort of mawkish project that helped chip away at his once- vibrant career.

Meanwhile, Ashton Kutcher appears uncredited, playing an annoying model- actor who not only realizes that his looks are his meal ticket but also admits that he has no acting talent whatsoever. Sometimes they make it too easy. RISE OF AN EMPIREA belated sequel to the 2. Rise of an Empire is wholly unnecessary from a narrative angle — after all, the hunky heroes from the first film all died. Movies For Apple Ipod Life (2017).

Instead, this elects to follow a group of Greek warriors whose adventures are largely running concurrent to those of the 3. This follow- up attempts to emulate its predecessor’s visual palate but only winds up as an eyesore. The gore is neither realistic nor entertainingly over- the- top; instead, it appears storyboarded to death, with much of the bloodletting presented in studied slow motion. As the antagonistic Artemisia, a warrior woman whose viciousness knows no bounds, an intense Eva Green is the only positive in the entire film, but the particulars of her role are troubling. In flashbacks, she’s presented as a young girl who witnesses the Greeks murder her father and rape and kill her mother. Then she’s tossed into a prison, where grotesque men repeatedly rape her throughout her childhood, before she’s thrown out onto the street to die.

Bruce Wayne, for one, suffered far less and became the noble Batman, so shouldn’t she really be the heroine of this film? FIFTY SHADES OF GREYBy emphasizing disastrous dialogue over steamy sex, the 2.